Proclaiming himself a “lunkhead” for his own carelessness, his tragic fate is sealed. Pouring water over it to cool it off, the meteor breaks in half, forcing Jordy to touch what he calls “Meteor shit!” Jordy envisions being offered two hundred dollars for the hot and glowing meteor, which means he will be able to pay his rent. Segment Two: The Lonesome Death of Jordy Verrillīased on the short story Weeds by King, the next tale explores the fate of childish Jordy Verrill (Stephen King) who witnesses a fallen meteor land on his property. This was one Father’s Day Hallmark couldn’t make a card for. Instead, he encounters Nathan’s wrath.īack at the disco quarters of the privileged, Nathan enters the kitchen with Aunt Sylvia’s head on a platter, informing Cass and Nathan, “I got my cake!” Hank, taking in all the luxuries of what he has married into, wanders off outside to find Bedelia. In the present, Bedelia is now greeted by Nathan’s (John Amplas) rotting corpse. Nathan is relentless in his demands to be cared for - and for cake! She takes the notorious marble ashtray (a prop used in each tale) and kills him with it. Bedelia, fresh from smoking a stogie and dressed all in black - with one knee-high stocking pulled up and the other down around her ankles - returns to her father’s grave first, remorseful and conflicted.įlashbacks reveal Bedelia pushed beyond her limits in the kitchen for Father’s Day. Seven years earlier, Bedelia’s love interest was killed in a “hunting accident” at the hands of Nathan. While they await the arrival of Great Aunt Bedelia (Viveca Lindfors), Sylvia (Carrie Nye), Cass (Elizabeth Regan), and Richard (Jon Lormer) decide to fill Cass’s new husband Hank (Ed Harris) in on the sordid backstory of Bedelia and her possessive father Nathan. Transitioning from a comic book panel, the aristocratic Grantham family appears to be sipping tea inside the boredom of their family mansion. Let’s break down the elements of one of the most beloved and acclaimed anthology films of all time to find out what makes it such an enduring horror classic. “Collaborate, don’t dictate” was Romero’s advice on filmmaking, and that is exactly the beauty of what Creepshow shows us forty years later. on November 10, 1982), Creepshow continues to impact both macabre-loving horror fans and even audiences who don’t typically gravitate towards genre films. Take in the state-of-the-art special effects and the way it tells a simple story while finding single moments of impact and giving the audience incredible twists.Ĭelebrating its 40th Anniversary this year (debuting at Cannes on May 16, 1982, and receiving a wide release in the U.S. What Creepshow has demonstrated for many decades is all the love and technical care it was made with.
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40 creeps up on you fast just ask the iconic influencer turning the big 4-0 this year but still looking as good as ever, 1982’s “Creepshow”.Ĭan a movie be any more perfect than Stephen King and George A.
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